Music — and the Imaginary Wild West in CZ

In Brno, Czech Republic, the Imaginary Wild West leaps off a wall…. advertising “the best steaks” in the city at an eatery called “U Starýho Bill” (At Old Bill’s) that calls itself “a real ‘TEXAS’ restaurant.”

The wall here was a few steps away from the Sono Center, a major Brno venue for contemporary music — where I was headed to attend a concert by the Czech bluegrass band The Malina Brothers, with guest appearances by Charlie McCoy, the Nashville-based harmonica virtuoso and member of the Country Music Hall of Fame, and the Czech singer Kat’a Garcia. The concert was sold out, and got a prolonged standing ovation from the crowd. And it was being filmed for a live show DVD.

Malinas concert Sono Center

The Malinas are old friends of mine. Banjo player and multi-instrumentalist Lubos Malina was one of the founding members of the great Czechgrass group Druha Trava, and I met him (amazingly) nearly 15 years ago, at one of the many summer bluegrass/country festivals in CZ, when I first started exploring the Imaginary Wild West in Europe.

Guitarist Pavel Malina used to play with DT, and fiddler Pepa Malina still sometimes plays with them. The Malina Brothers band came together informally at first, but over the past five years or so has developed a remarkable following in CZ — as the concert in Brno demonstrated.

The three brothers visited in Italy six years ago and gave a house concert at the home of a friend. It was the first of a series of house concerts anchored by Lubos. The brothers played this arrangement of Smetana at the house concert in 2013 — and at the concert in Brno.

On the night after the Brno concert, Pepa Malina performed with Druha Trava at the start of a a week-long tour with Charlie McCoy — a sold-out, standing-ovation gig in the town of Ceska Trebova.

Here’s a video of the run-through before the Ceska Trebova concert:

Charlie McCoy has had a standout career in the USA and was inducted into the Country Music Hall of Fame in 2009.

I’ve written about him in the past, on my Sauerkraut Cowboys blog, because he is quite wellknown in the country music scene outside the USA. He tours regularly in Europe and elsewhere (i.e. Japan), and he makes a point to play with European bands and also records with them; he has released albums in France, Denmark, Germany, and the Czech Republic. Later this summer he will be touring in Sweden in England.

Onstage at the concert in Ceska Trebova, he recalled how he met up with Druha Trava — it was at the festival in Strakonice, CZ, where he was performing in 2001. DT was also on the bill and asked if he would join them for a few songs — since then he has toured with them half a dozen or more times in CZ, released a live album with DT and also released a CD with The Malina Brothers.

Here’s a promo video about the Malina Brothers album (partly in Czech, partly in English):

I met Charlie back in 2005 during one of his tours with Druha Trava — the concert I saw was at a “Days of Texas” festival in the little town of Roznov pod Radnostem, in eastern CZ.
The festival, I wrote in an article highlighted the fact that from the mid-19th century until World War I, thousands of people emigrated from Roznov and other towns and villages in the region to Texas. Today, Texas has the largest ethnic Czech community of any state in the United States.

There were demonstrations of 19th-century farming customs used by the emigrants and performances by American-style Czech country-western groups, as well as local folk groups performing Wallachian songs and dances. An exhibition of quilting featured a big patchwork quilt reading “Texas,” hung prominently from the upper floor of the old Roznov Town Hall.

Like the Malina Brothers concert in Brno, the Druha Trava/Charlie McCoy concert in Ceska Trebova drew a standing ovation from an energized crowd — and lots of autograph-seekers and CD-buyers afterward.

And here we are in Ceska Trebova, backstage.

Spaghetti (& Meatballs) Cowboys

This is a cross post from my blog sauerkrautcowboys.blogspot.com

In late October I spent an afternoon at a country western festival in Bologna, Italy. It was the very last day of the two weekends that the festival took place, and I was eager to see what it was like: though I have been to wild west and country festivals in Germany, Austria, Switzerland, France and the Czech Republic, I have only been to a couple of them in Italy.

This one, called “Festival Country,” took place at the Bologna Fairgrounds, and it shared space in a cavernous hall with a sort of “October Fest” beer festival (featuring what was presented as German food). In a separate cavernous hall there was a so-called “Irish Festival:” vaguely Celtic music, and stalls that mainly seemed to sell “Lord of the Rings” type clothing…..

The path to all three led through the grim industrial landscape of the Fair buildings…..

Once there, what did I find?

The scene — at least on the day I was there — was a sort of distillation of all the most common stereotypes associated with “the west,” “the frontier,” “country-western,” and, in a certain way, “America.”

Banjo Romantika to be broadcast on American TV

banjo-romntika-poster

Banjo Romantika, the documentary about Czech bluegrass music in which I appear (as the main talking head) will be broadcast on public PBS television stations around the United States in December.

You can see the growing list of stations on the film’s web site — click HERE.

Broadcast venues include channels in New Mexico, Texas, Arizona, North Carolina, South Carolina, Illinois, Tennessee, California, Virginia, Kentucky….

I spent a few days earlier this month in Johnson City,TN, with the filmmakers — Lee Bidgood and Shara Lange. We recorded a commentary track for the film, which will be included in the new DVDs that are being prepared. We discussed the making of the film, but also the history

Equiblues 2015!

This is a crosspost from my SauerkrautCowboys blog

 

This was the third time I have been to the Equiblues rodeo and country music festival in St. Agreve, France — an annual event that draws upwards of 25,000 people and that this year was celebrating its 20th edition.

It was one of the first big country-western festivals I attended (back in 2004) when I first started following the “scene”. Last time I was there was 3 years ago — read what I wrote back then HERE and HERE.

Equiblues lasts the better part of a week, but this year, I only was able to make it there for Friday evening and Saturday, and — alas — I missed all of the rodeo — though I saw some of the cowboy mounted shooting competition.

 
One of my reasons for going was to meet with Georges Carrier, an expert on country music in France who had been the director of the Country Rendez-vous festival in Craponne for 18 years.

I parked in front of the scene in the photo at the top of this page — a fitting welcome image.

But the photo below encapsulates the atmosphere event better: “Authentic Dreams”. Festivals like Equiblues are signal embodiments of what I call “real imaginary” spaces — a re-created; no — a created — “America” where everyone wears cowboy hats and boots and hustles and bustles amid the trappings of the frontier; but where little has much really to do with the United States. As usual, except for some of the artists and rodeo performers, I was one of the only — if not the only — American there. I did hear English in the crowd from one couple strolling through, but UK English.

 

 

 
Actually, I found this year’s Equiblues just about identical with what I found three years ago. Even the same food (sausage and frites; steak and frites; wine; beer…) and physical set-up. For festival-run merch, tickets, food, and events — you have to pay in Equiblues dollars that you have to buy with Euros: one dollar = one Euro.

As usual, I was fascinated by the use of flag imagery — American flags, Confederate flags and various other flags and banners. They are used basically without much meaning, as decoration mean to provide an “American” or “Rebel” spin, as backdrops, clothing, ornamentation.

In the photo below, fly in a row, over a souvenir and clothing stand,