Along with a team of other writers, I’ve won a first-place Rockower award — the annual award for Jewish journalism — for a Hadassah Magazine report on anti-Semitism in Europe. The awards will be presented November 15 in DC.
Category 11: Award for Excellence in Special Sections or Supplements
All Newspapers; Broadcast; Magazines; Special Sections and Supplements; Web-based Outlets.
First Place Hadassah Magazine, New York, NY
“Europe Through the Lens of Anti-Semitism” by Abraham H. Foxman, Miriam Shaviv, Natasha Lehrer, Ruth Ellen Gruber, Nathalie Rothschild, and Toby Axelrod Click Here to Read Submission
Comments: Well written, excellent reporting on a burning topic.
I’ve previously been awarded third-place and honorable mention Rockowers for articles in JTA and B’nai B’rith International magazine.
Venice university professor Shaul Bassi stops beneath an elegant marble plaque affixed to an inner wall of the Jewish community building just off the Campo del Ghetto Nuovo, the secluded, vaguely fan-shaped main plaza of the historic Venice Ghetto.
The flowery Italian inscription extols one Giuseppe Bassi, a local rabbi who died in 1916. He was, it declares, “incomparable” as a teacher and religious leader; a man who “spent his life in works of enlightened charity, elevating the humble; educating young people to follow in his stead.”
Above the inscription, in Hebrew, appears a line from Psalm 145: “One generation shall commend your deeds to the next.”
Shaul Bassi looks up at the plaque and smiles. “He was my great-grandfather,” he says.
Venice is currently in the midst of a year of events marking the 500th anniversary of the imposition of Europe’s first official Jewish ghetto. And Bassi—who traces his Jewish ancestry here back to the 16th century—is the coordinator of the Venice Ghetto 500 anniversary committee set up by local Jewry and the city.
Dozens of concerts, conferences and other initiatives—the most publicized was a July staging of The Merchant of Venice—were officially kicked off on March 29, 500 years to the day after Venetian rulers under Doge Leonardo Loredan ordered the 700 or so Jews confined to the site of a former foundry, known as geto in Venetian dialect. Jews remained segregated there until 1797, when Napoleon’s forces broke down the gates. At its height, some 5,000 Jews lived amid the cramped alleyways and piazzas. They constructed tenements as tall as seven stories high to conserve space and built five synagogues whose jewel-like sanctuaries are hidden behind austere façades.
Despite economic and other strictures, Jews here lived rich, creative lives. Venice became a renowned center of Hebrew printing, and leading personalities such as Rabbi Leon Modena and the poet Sara Copio Sullam, both of whom died in the 1640s, were well known outside the ghetto walls.
“The story of the ghetto is the story of segregation, but also the story of an enormous quantity of cultural exchanges,” says urban historian Donatella Calabi, who curated an exhibition at the Palazzo Ducale, “Venice, the Jews and Europe 1516-2016,” which is the centerpiece of quincentennial events. “The 500th anniversary should be an occasion to reflect on history, but also to [reframe] things for the future,” she adds.
How to do that is a major challenge for today’s Venetian Jews.
Venice, the Queen of the Adriatic, has enchanted visitors and inspired artists for centuries with its shimmering fusion of water, stone and light. Tourists and poets alike vie for superlatives to describe the atmosphere of an enchanted city built on more than 100 tiny islands in the midst of a lagoon.
The attraction, however, has its downside. More than a century ago, the German Nobel prize laureate Thomas Mann was already describing the floating city as “half fairy tale, half tourist trap.”
Indeed, millions flock to Venice each year, putting a strain on the fragile infrastructure. On any given day in the summer high season, tourists—as many as 80,000 in a 24-hour period—crowd the city’s historic center, outnumbering the people who actually live there.
There’s good reason, of course, for Venice’s overwhelming popularity. Its unique architecture is stunning; the museums and churches display renowned artistic treasures; the cuisine is divine. And the experience of getting lost amid the dense, shadowy network of canals, alleyways, bridges and plazas is the stuff of romance.
So don’t let the crowds put you off. Sights on the well-beaten track may see you joining thousands of others. But it is possible to escape the crowds, especially after nightfall, when day-trippers have returned to the mainland or their cruise ship.